more about me...
before directing Kung Fu Panda, what did you do?
My first major industry job was story artist and character designer at HBO Animation. I moved from there to DreamWorks Animation, working as story artist on Madagascar, head of story on Sinbad: Legend of the Seven Seas and story artist on Spirit: Stallion of the Cimarron.
what are your movie sets like?
I honestly try my best to make a good working environment for my crew so that everyone feels proud of what they did. It’s all about working together and feeling creatively charged up to make a movie we’re proud of.
what makes you different from other directors?
I’m a quiet artist. So I approach directing in my own way. At meetings, I’ll cluster all the chairs around me so everyone could hear me. If you can talk casually and conversationally with people, they don’t feel like they’re being ordered or directed, they feel like they can engage in a conversation with me. I find that to be productive.